Today, my work is highly physical, a stark contrast to my earlier focus on digital media, incorporating materials such as concrete, bitumen (tar), silicones, epoxy resin, glass, and steel. While the materials have changed, my approach remains deeply rooted in the classic painter’s mindset—constantly exploring the interplay of light, surface, and space. Instead of paint, I now shape, layer, and manipulate these industrial materials to create textured, multidimensional works that challenge perception and form.

My abstract work is inspired by my vision of humanity and its place in evolution—a process both fascinating and relentless. I explore the inevitability of our own demise, not as a tragic event, but as a natural consequence of our own actions. In my work, this idea takes form through raw, unpolished materials that reflect both creation and decay, playing with the tension between progress and self-destruction. I also like to challenge the viewer’s perception, emphasizing that their interpretation of what they think they see reveals as much about themselves as it does about the work itself.